![]() Temple Blocks are wooden slit drums originally coming from East Asia and used for Buddhist rituals. ![]() Additionally, the following effect articulations were recorded: harmonics (playing at the suspension point and depressing the bar in the middle) glissandos played with the mallet handle played and rubbed with a superball, bowed regular and creating harmonics, and rubbed with a rasping stick. The Adams Alpha MAHA50 with a range of five octaves recorded for this Collection was played with hard and soft mallets, with up to eight dynamic layers and up to nine round robins for single strokes. ![]() They are suited for accompaniment as well as for soloistic purposes. The low register of the marimba has a warm, wooden timbre, while the sound of the higher register is sharper and shorter, similar to the xylophone. Chromatic instruments as they are used in the modern orchestra were introduced at the end of the 19th century. It was brought to Mexico as early as the 16th century, where it was developed further. The Marimba originally is an African instrument consisting of a succession of differently sounding wooden bars. Synchron Mallets III is a subset of the Synchron Percussion III Collection and includes a marimba and temple blocks.
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